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Eniko Mihalik (Marilyn NY)

jacket by Alexander Wang

Model dresser: Barbara Martelo (stylist)

In January she styled an editorial for VOGUE Spain with model Coco Rocha and photographer Arthur Elgort and in March, also for VOGUE Spain, she styled a shoot with model Chanel Iman and photographer Thomas Schenk. Don't know if anyone saw these, but the motion in the editorials was very Richard Avedonesque.

Regardless, Barbara always looks good at the Paris shows. :)

Style Icon Iekeliene Stange (MARILYN New York)

Hannah Holman (Elite NY) en route to the gym

Yeah Hannah did a Miu Miu campaign, yeah she had a great runway season, yeah it's official news that she's doing a Burberry campaign and 10 magazine editorial, but what about Hannah as a person?

What about all those "strangers" who friend request her on facebook?

"...they always want to talk about modeling and I have a life besides modeling"  

For the best interview that I could find that gets inside Hannah as a person, as a baker, and as an avid reader, click over to Modelinia's interview.

British VOGUE'S December 2009 Cover Girl: Lara Stone (IMG NY)

Q & A with NEXT Model Management Founder Faith Kates

photo by me, Craig Arend

Faith Kates is a modeling industry legend. She started NEXT Model Management in 1989. Recently, we sat down to talk all things modeling.  Needless to say, it was a great learning experience.   Enclosed are  few snippets from our conversation.  And to Faith and the people at NEXT, thank you!

WHY THE SECOND SEASON IN A MODELS CAREER IS MORE IMPORTANT THAN THE FIRST

Faith, "Realistically, there's so many girls that have gotten ruined because they come the first season, they're not ready to do those shows and they do them. And the second season they're like, 'but she couldn't walk last season.'  You know our job as agents is to prepare these models to get them out there, so that they do their job perfectly. ...we want to get them out there and we want them to know how to walk.  I always say if you can get them a couple of good shows so they have some confidence. Think about being young from Latvia...this is the first time you've ever been on airplane and you walk out from behind the stage. You walk out and you're in shoes this high (gestures to a 5" stiletto) and there's a thousand people looking at you with cameras flashing. Think about that very first moment. See that's the story you should start talking to the girls about is, 'What do you fee like?' So it's a lot easier to do that exact thing in a smaller show and then another show and another show and then by the time you get to Prada, you got it.

Craig, "So you might not necessarily try and book her for all the big shows?"

Faith, "Exactly. The first season is important but the second season is more important. Because the first season, lets say you got all the shows.  You've got to keep them the second time. It's easy to get the first time. Now you have to do the editorial. Now you have to be out there the whole time.   Because your only new once. (pause)

You are only a new girl once.

...you have to really know how to pace it. You have to know what you'll be able to sustain and not sustain."

ON THE IMPORTANCE OF THE EDITORIAL IN A MODELS CAREER

Craig, "How important is editorial?"

Faith, "Very important."

Craig, "More important than campaigns?"

Faith, "It's all about VOGUE. If you are a VOGUE girl you are everywhere. Go into VOGUE magazine. You want to learn something, go in Vogue look at all the girls that are in the well. Go in Anna J, any one of them, Catherine, those are the girls that are doing all the campaigns. Those are girls that are in all the shows."

WHY GOOD RELATIONSHIPS WITH KEY PHOTOGRAPHERS ARE IMPORTANT

Faith, "...I think that in our world...when a girl starts, if you have one of the three or 4 really important photographers behind you, that's the girls that are making it. So if you have Steven Meisel, you have Mario Testino, you have a Craig McDean, you have a David Sims... you have one of those guys behind you, you're in."

Craig, "So that's the goal then?"

Faith, "That's the goal."

Craig, "Is that how you view your goal, moreso the photographer?"

Faith, "It is. You could walk in 1 show. I could get you to walk in Prada, you can walk in Gucci, you can walk in 1 show. But you didn't do good in that show. Or you know. You had the exclusive for the good show. I've seen girls have an exclusive to Prada and you never see them again. They weren't so great in the show.   But at least if you are in a picture, it's out there. and it's out there for at least a couple of months and people keep seeing it.  It's different.  It's on the shelf its always there...with magazines while they're sitting out there, people are able to take them home and they keep looking and looking and looking at them...."

Craig, "The photographers are the key then?

Faith, "The photographers and the magazines have all the power. Designers are important, don't get me wrong. They are very important. But I think it goes first with if you can get to the photographer. There are some girls that are really photographers girls."

ON THE IMPORTANCE OF A MODEL LIKING CLOTHES AND FASHION AS A NECESSITY TO SUCCEED

Craig, "Does a girl with a genuine appreciation for fashion and clothing fare better in this industry?"

Faith, "You don't have to care about clothes...I don't think you have to love clothes. I don't think you have to dislike clothes. I just think you have to know how to wear clothes and know what feels good and right on you."

Craig, "But like a girl who can get in touch with the artistic aesthetic of a Yohji Yamamoto because she's interested in style?

Faith, "I don't think that matters."

Craig, "It doesn't matter?"

Faith, "Not at all. I don't think it matters at all. I think that girl understands better what, and appreciate more what she's wearing but I don't think that that makes her a better model or makes her any better at what she does because she understands the dress"

ON TWO TYPES OF FAME FOR A MODEL

Craig, "How important is press as opposed to campaigns, editorials in magazines, and runways to a models career?"

Faith, "It depends upon the model. So there's a "high fashion model" lets call her that's doing all the campaigns and doing Vogue and doing all the shows. It doesn't matter. Because for her, her bible is the editorial, the Vogues of the world, and doing runway.

Then there's a whole other group of girls that, they are famous because of the press. They probably were not really famous models. But they became famous because they dated somebody that was famous, they were in the right place at the right time, they dated a basketball player, there was something about them that made them famous.

...There's 2 different kinds of famous. There's fashion famous which is what every model, I hate to say it , aspires to. They aspire to being in the well of American Vogue, they aspire to being photographed by Craig McDean, and David Sims, Steven Meisel, photographers Bruce Weber, like that.

And then there are girls that you know that their dream was to be in Sports Illustrated or to be in Victoria's Secret. Its a very different kind of famous and its a different kind of fashion. So its completely different. So there's two types of fame."

ON THE INTERNET AND PRINT

Craig, "...how important is the internet going to be to a models career as opposed to print publications?"

Faith, "I think we've all been struggling through it for the last 7 or 8 years. I don't see the print magazine or the newspaper or even the written book going away. As hard as I try to read and kindle it was the same as turning the pages. I think the internet becomes important because every day you can change it.

I do believe that the print magazine never goes away. I don't think VOGUE ever goes. I think that they are going to do business a bit differently."

AND FINALLY: THE BIGGEST NAMES NEXT HAS DEVELOPED FROM SCRATCH

Craig, "The biggest names you've developed from scratch?"

Faith, "Milla Jovovich, Molly Sims, Joy Bryant, Diane Kruger (the actress), Angie Everhart, Anja Rubick, Anna Jagodzinka, Catherine McNeil, and Jessica Miller."

Fashion By Bkstone Design

safari blook

baby doll dress

dust bcoat

Ece Sukan: model, entrepreneur, and Editor-at-Large for VOGUE Turkey

Ece Sükan, model, stylist, and owner of one of Turkey's most famous vintage shops.   She's also Editor-at-Large for VOGUE Turkey, the first issue which is due out in March of 2010 (last I heard).

Siri Tollerod (DNA) leaves Chloé

Siri Tollerød, 1 of 25 girls fortunate to walk Chloé.

Dorothea Barth Jorgensen (WOMEN NY) and Amanda Norgaard (SUPREME)

Dorothea Barth Jorgensen (left) and Amanda Norgaard (right) outside of Miu Miu.  Out of the hundreds of girls I shot during fashion month, none had a fun spirit as contagious as Dorothea's.   

EDIT/NOTE: the braids are hair extensions as designed by the lead Hair Stylist Guido Palau.  The difference between the extensions he designed for Miu Miu and Alexander Wang that I can see is that the extensions at Miu Miu were worn from the middle where the extensions from Alexander Wang were worn from the side.

VOGUE Brazil's August 2009 Cover Girl Aline Weber (WOMEN NY)

Brazilian born Aline spotted at Milan Fashion Week.